Gary E. McPherson: »Musical potential, giftedness and talent development«
Abstract
This presentation surveys research dealing with musical potential, musical giftedness and musical talent to dispel some of the myths and misconceptions about the nature and scope of musical development. It addresses the issue of whether we are all born musical, before exploring ways of how to define and explain musical potential, giftedness, and talent. Attention is given to debates about the extent to which there are individual differences in musical potential, and the complex interactions between genetic and environmental factors that can help explain this concept. Environmental, intrapersonal and developmental processes acting on the realization of musical talent are each discussed separately, with a final section providing a framework for understanding talent development in music.
Bio
Gary E. McPherson studied music education at the Sydney Conservatorium of Music, before completing a master of music education at Indiana University, a doctorate of philosophy at the University of Sydney and a Licentiate and Fellowship in trumpet performance through Trinity College, London. In 2021, he was the recipient of an Honorary Doctorate - Artium Doctorem Honoris Causa - from Lund University Sweden. Gary is the Ormond Professor of Music at the Melbourne Conservatorium of Music and has served as National President of the Australian Society for Music Education and President of the International Society for Music Education. His research interests are broad and his approach interdisciplinary. His most important research examines the acquisition and development of musical competence, and motivation to engage and participate in music from novice to expert levels. With a particular interest in the acquisition of visual, aural and creative performance skills, he has attempted to understand more precisely how music students become sufficiently motivated and self-regulated to achieve at the highest level. Gary McPherson is editor of the recently published Oxford Handbook of Music Performance.